Lucian’s focus on documenting human-interest stories encompasses daily life and social issues in the United States to conflicts and crisis overseas. He is known for an approach that counterpoints a deep sympathy for his subjects with an ability to expose their hopes and foibles, and for a style that combines formal clarity with, from time to time, an offbeat humor. At the University of Texas at Austin, he studied with acclaimed photographer Garry Winogrand who is a continuing inspiration.
Documentary films include “The Syrian Refugee Crisis,” bringing to light the plight of 2.5 million Syrians fleeing their country’s civil war, with 9 million displaced, in one of the gravest humanitarian catastrophes. “Joseph’s House” opens the door to a Washington, D.C., residence-turned-hospice devoted to providing care for the homeless and abandoned as they near death. And in “The Brilliance of My World,” a revelation of the talent and determination of touring big-band singer Chou Chou Scantlin, a highly articulate autistic woman reaching heights through music.
As staff photographer at The Washington Post for more than 20 years, Lucian covered major international events such as the fall of the Soviet Union and aftermath; the wars and refugee crisis in the former Yugoslavia, Chechnya, Iraq and Afghanistan; and major events at home. Lucian received his first Pulitzer Prize for collaboration with Post reporter Leon Dash on their four- year study of the effects of poverty on three generations of a Washington, D.C., family through the eyes of the matriarch. His second was for coverage of the Kosovo conflict.
Additional awards include “Newspaper Photographer of the Year” by the National Press Photographers Association and “World Press Photo of the Year.” Lucian also worked closely with the online edition to produce many of the Post’s first multimedia and interactive projects such as the “Siberia and Finland Diaries.” Colleagues in Russia were the inspiration to co-found InterFoto, an annual non-profit international photography conference held in Moscow that provided a competition as well as exchange programs and workshops.
Lucian’s recent book, Hard Art, DC, captures the beginning of the Washington, D.C., punk-music scene in 1979 while revealing its reverberating impact today. And in award-winning Runway Madness, he delivers a ringside tongue-in-cheek look at the New York fashion shows.
Lucian pursues his love for the still image while on the go filming documentary projects.
Leah Bendavid-Val “Lucian photographs prospective solutions to the problems he sees, most recently in the area of health care. He also encourages the photography of others. His generosity to colleagues in the photographic community is rare and legendary.”
Tens of thousands of people lined the streets of Washington, DC, many arriving as early as 4am, to catch a glimpse of Pope Francis on his first visit to the United States.
Lucian Perkins on Mississippi’s state flag — the only state flag still incorporating the Confederate flag — and how the echoes of the Civil War persist.